Everyday Aviation
Rachael Carnes
A Play for Videoconference
CHARACTERS
COREY, man, 40’s
BERNICE, woman, 30’s-40’s
JOE, man, 40’s-50’s
ADAM, teenage boy
SETTING
Corey’s home
TIME
Too late at night
***
COREY futzes with technology for a minute, then stares into his
laptop’s video camera. He looks away, then back again. Shit.
COREY
I thought I should do this. Leave this. I don’t know. There’s no blueprint. It seemed prudent? There’s a rhythm to the day and I love you and I get that we can roll out snacks and games but — So many headlines. So many stories. And we’re just getting started. You don’t know that — You’re just a baby. Wide-eyed and content enough to have your mom and me home all the time. You crush me at UNO, kiddo! Undefeated Champion of the World! And I like reading to you. I’m worried: That cough you had on your last day of school (When was that?) hasn’t gone away. All day, I beg you to blow your nose and then wash your hands. Tucking you in — You asked: When can you see your friends? We had that video conference? Remember? That was fun. We blew out the candles for Sophie — We had an Oreo and she had a cupcake and we all sang? I can’t make you stop crying yourself to sleep. Your mother tries to anchor you, but we don’t — Little man, I spend less time in this space where I feel safe every day, y’know? I want to fight! And I want to curl in a ball and I want to cry and laugh and fall apart. But I read you stories. And we stack blocks and play Legos and I feel the walls closing in and — What if they close all the way? What if the trap door opens, and takes me out? What if — Oh, honey. What if the hole opens, and takes you from me?
BERNICE enters the meeting. She’s drying dishes with a towel.
BERNICE
And how’s my favorite grandson?
COREY
Grandma?
BERNICE
Look how handsome you got!
COREY
I —
BERNICE
I’m glad you got the chin from my side of the family.
COREY
How can you?
BERNICE
Your grandad’s side all look like turtles.
COREY
I haven’t been sleeping —
BERNICE
I can fix a carburetor, you think I can’t figure out a new video conferencing platform?
COREY
But, grandma, you’re — Um.
BERNICE
Dead?
COREY
Well, yeah. I —
BERNICE
Did you ever get a postcard?
COREY
Sure?
BERNICE
You know how there’s a picture on the front, and writing on the back?
COREY
Yeah —
BERNICE
The dead part is the picture on the front, but the message lives on.
COREY
That’s poetic?
BERNICE
The problem is no one reads cursive anymore.
COREY
That’s the least of our problems.
BERNICE
You can trace an erosion of basic human decency to bad penmanship. How’s your handwriting?
COREY
Um.
BERNICE
Did I teach you anything?
COREY
You taught me to dance?
BERNICE
I did, didn’t I?
COREY
Swing, and lindy hop.
BERNICE
I forgot about that.
COREY
Summer vacation. Grandpa put on Glenn Miller and you taught me to lead.
BERNICE
Oh, dance with me now!
COREY
No — I. It’s tough out there, grandma. How could we dance?
BERNICE
I don’t know. People have always just figured it out day by day.
COREY
I can’t — I’m leaving a letter for my son.
BERNICE
My great-grandson? Show me a picture!
COREY holds up a picture of his boy for the camera.
COREY
He’s seven.
BERNICE
Cute as a button. He has your eyes.
COREY
So, grandma, if you could be going, I was just going to wrap this up —
BERNICE
Let me get your grandpa on the call. Joe!
COREY
I don’t have time for —
JOE enters the meeting.
JOE
This better be important. I was gutting a fish.
BERNICE
Look who it is!
JOE
A lumberjack? Those are some whiskers!
BERNICE
No, it’s Corey, Pa. All grown up.
JOE
I know that. Just taking the vinegar. How are you, son?
COREY
Not great.
JOE
I lived in a foxhole for a month. Is it worse than that?
COREY
I mean, I can stream shows?
BERNICE
What dear?
COREY
There’s this one about a Tiger King that everyone is talking about —
BERNICE
That sounds fun!
COREY
But I can’t get anyone in my family to watch it with me.
JOE
Do you have enough food?
BERNICE
I used to make a cake out of Saltine crackers.
COREY
I think so? We spend a lot of time ordering supplies.
BERNICE
Time to get creative!
JOE
Time to hunt.
COREY
Hunt what?
JOE
Turkeys? Squirrels? What they got there?
COREY
Where? Suburbia?
JOE
You must have deer, raccoons. The stray pigeon?
BERNICE
I think what your grandpa is suggesting is now’s the time to be resourceful. To make do.
COREY
I did a few push-ups today?
JOE
That’s right. Rations only annoy the weak mind!
BERNICE
Remember that birthday I darned your socks? That was a treat.
COREY
I miss my friends, I miss work. I miss people!
JOE
When I was a boy, I had an iron bicycle.
BERNICE
Your grandpa likes to remind us —
JOE
I had a shepherd named Coco who could speak real words of English.
BERNICE
He’s still a little — You know.
COREY
Grandpa, I’m scared.
JOE
Minute by minute, son. The table’s set, pull the tablecloth out from under!
BERNICE
Not my good china!
COREY
What are you —
BERNICE
It’s his parlor trick. You remember!
JOE
Your grandmother’s Wedgewood, crystal stemware, all the niceties.
BERNICE
After the War, we went all in. Big credenza. Huge davenport!
COREY
What?
JOE
Let’s put all the good stuff on the table on your grandma’s best white cloth.
BERNICE
No, please don’t.
COREY
I never heard this story.
BERNICE
He was trying to make it better. Pa, not now, please?
COREY
Make what better?
BERNICE
Your grandpa thought if he could teach her magic it might cheer her up?
COREY
Who?
JOE
Your mother’s little sister.
BERNICE
She was four.
JOE
Measles. Fever.
BERNICE
Couldn’t catch her breath —
JOE
Put all the china out on the table. All the stemware. I read it in a book: Household Magic!
BERNICE
Fever — Dry cough. Poor thing.
JOE
Make sure the tablecloth is flat on the table.
BERNICE
She said she had a real bad sore throat.
JOE
The tablecloth should be flush with the end opposite from which you’re pulling —
BERNICE
Bright red eyes.
JOE
Let the cloth hang well over the edge —
BERNICE
My little porcelain doll, her skin raised red spots —
JOE
Arrange the dishes on the table. Maybe some fruit?
BERNICE
The rash spread down her arms, her legs, her middle — She cries?
JOE
Grasp the tablecloth with two hands. Hey, sweet girl. Watch daddy!
BERNICE
Fever 103.
JOE
Bunch the tablecloth up to the table’s edge.
BERNICE
Fever 104. 105 — 105.8! Dear God.
JOE
Yank the tablecloth downwards and step back from the table.
COREY
Then what?
BERNICE
She —
JOE
Our —
COREY
I never knew that my mom had a sister.
BERNICE
It was the message, on the back of the postcard. It was too hard to write.
COREY
I don’t know what to do now.
JOE
Acceleration depends on the force acting on an object, and the mass of the object itself.
BERNICE
She was so tiny. She didn’t have a fighting chance.
JOE
A ball bounces off the ground because it hits the floor with momentum. That pushes it up!
COREY
I don’t understand.
JOE
See the next minute. And the one after — Just keep moving forward.
BERNICE
And keep dancing.
ADAM enters the meeting.
ADAM
Hi. My mom said I should try to see how you’re doing, grandpa. How are you doing?
JOE
Honey, was there a milkman you didn’t tell me about?
ADAM
Grandpa Corey, my mom says that you can help me with my science homework. Can you?
BERNICE
He has your eyes, and your chin! Hi, cutie!
COREY
What? Oh — Hi?
ADAM
We’re studying the Laws of Motion.
COREY
Who sent you?
ADAM
My dad?
COREY
He lives?
JOE
He lives.
ADAM
So, can you help me, or not?
BERNICE
Come on, Pa. Supper’s on the table. It’s good to see you both. Bye for now.
BERNICE leaves the meeting.
JOE
Remember son: Set the china on the table. The good stemware. Hold the tablecloth and —
JOE leaves the meeting.
ADAM
I have a quiz in the morning.
COREY
Okay: I think this is still true, when you come in:
For every action, there is an equal and opposite reaction.
Instrumental Big Band music plays.
Meeting ends for all.
Playwright Rachael Carnes received a 2020 Oregon Literary Fellowship, and has had readings and productions of her work across the U.S., U.K., the Middle East, Canada and Asia, with recent invitations to develop work at the William Inge Theatre Festival, the Kennedy Center for the Performing Arts Playwriting Intensive, the Midwestern Dramatists Center Conference, the Mid-America Theater Conference, the American Association for Theatre in Higher Education New Play Development Series, the Sewanee Writers’ Conference, the Ivoryton Playhouse Women Playwrights Initiative, the Lighthouse Writer’s Workshop, the Cambridge U.K. WriteON Festival, the Samuel French Off-Off Broadway Festival and the Great Plains Theatre Conference. Her work is seen in many literary journals, and has been nominated for a 2020 Pushcart Prize. Rachael is the founder and editor of CodeRedPlaywrights, a consortium of writers across the country, responding to gun violence. She and her family live in Oregon. www.rachaelcarnes.com